The New Yorker's movie review of "Cocaine Bear" and "The Quiet Girl" examines two films that share the common theme of mortality. "Cocaine Bear" is a retelling of the infamous 1985 incident where a bear in Georgia consumed over 70 pounds of cocaine dropped from a drug smuggler's plane, resulting in its death. The film portrays the story as a dark comedy, with director Elizabeth Banks bringing her signature wit and humor to the project. While the film is not without flaws, such as a disjointed narrative and uneven pacing, it ultimately succeeds in delivering an entertaining and thought-provoking story.

On the other hand, "The Quiet Girl" is a slower-paced, introspective film that follows the journey of a woman grappling with her own mortality after receiving a terminal diagnosis. The film's standout feature is its stunning cinematography, which captures the beauty and isolation of the Swedish countryside. However, the film's heavy-handed symbolism and occasional melodrama may turn off some viewers. Despite this, lead actress Alicia Vikander's nuanced performance helps to anchor the film and elevate it above its flaws.

Overall, both films offer unique perspectives on mortality, with "Cocaine Bear" offering a lighthearted take on the topic and "The Quiet Girl" exploring the more existential aspects of death.